J06-林正中
社會化的結構導致了大部分規範或意識形態上的限制,另一方面我們又希望能夠去主導及建構大部分,在這脈絡下我們利用攝影媒材的客觀性,來看待介質與意志之間的關聯,連一個沒有生命的客體都有其意志作用著,無論它是否被單純指向於物理性或是伸展到幻想內,也就是說我們所看到的不全是畫面中那直觀的客體,因此我們企圖去看待這些意志和介質之間,是如何安排在我們環境之中,最後它們所給予的假設我們應該要如何去構想它。
Social structure indirectly leads to several normative or ideological constraints, and on the other hand, we also hope to be able to dominate and construct the majority. In this view, we use the objectivity of photographic media to look at the connection between Media and Will.
Even an inanimate object has its will, whether it be directed purely to physicality or into fantasy. In other words, what we see is not entirely an intuitive object in the picture. Therefore, we try to clarify these Will and Media, see how they are arranged in our environment, and how to figure out the last assumptions they give.
目前居住於台北現職為設計工作者,創作上除了生活紀錄以外,也關注著當代的城市、意識形態等文化元素的議題,並開始從攝影來探討影像框架外的各種假設,對於攝影媒材在當代的各種可能感到好奇。
website:linchengchung.com
Social structure indirectly leads to several normative or ideological constraints, and on the other hand, we also hope to be able to dominate and construct the majority. In this view, we use the objectivity of photographic media to look at the connection between Media and Will.
Even an inanimate object has its will, whether it be directed purely to physicality or into fantasy. In other words, what we see is not entirely an intuitive object in the picture. Therefore, we try to clarify these Will and Media, see how they are arranged in our environment, and how to figure out the last assumptions they give.
目前居住於台北現職為設計工作者,創作上除了生活紀錄以外,也關注著當代的城市、意識形態等文化元素的議題,並開始從攝影來探討影像框架外的各種假設,對於攝影媒材在當代的各種可能感到好奇。
website:linchengchung.com